Editor: R. Herbert Spencer
Publisher: Lund Humphries
Publication: 1965, First Edition
Binding: Hardcover, section sewn
Pages: 280
Size: 215 x 285
Text: English
(Preface) 'The new look for THE PENROSE ANNUAL in 1964 received an enthusiastic welcome and this year's volume makes use of the same imaginative formula while offering new and exciting ingredients. The claim of Penrose to be the leading international review of the graphic arts is supported by contributions from France, Switzerland, Germany, Holland, Iceland, Israel, Italy, Japan, China, Spain, and the USA, while graphically Volume 58 is even richer than Volume 57...'
Illustrated throughout with various printed tip-in samples.
Contents:
- Fashion in typography by Nicolete Gray
- Closing the gap by James Elphick
- Parkinson's lore by Frederick Barter
- Poster design as a newspaper image-builder by Karl Dallas
- Perfumed printing inks by A. H. Soane, A. Bernstein and P. F. Walker
- The missing link by Germano Facetti
- A decade of powderless etching by Eric A. Williams
- Radio-isotopes in printing research by W. G. Busbridge
- The presentation of technical information by Peter Sieber
- Communication - a key to progress by Peter Dingley
- Kalvar dry process conversions by Richard C. Gearhart
- The changing pattern of technical education for printing by T. C. Hart
- Photographic training for graphic designers by Julian Mathison
- School magazines: the new image by Melville Hardiment
- Training by production by Henri Friedlaender
- Words in colour by Caleb Gattegno
- Training on the job by William Braasch
- First principles first by Robert Ranc
- Keeping the craftsman up to date by Michael H. Bruno
- Easing the distortion dilemma by W. C. Ross
- Engineering research for the graphic arts by M. Graneek
- A revolution in 3D printing by Marvin C. Whatmore
- Type in art by Jasia Reichardt
- The quickest eye in research by J. A. Cairns
- Fine binding as a contemporary art by J. J. de L. Meyer
- Half-tones by letterset by Paul J. Hartsuch
- Printing with magnetic inks by L. E. Boxall
- How strong to run the colour? by Frank Preucil
- Adhesives research for packaging by C. V. Hawkes
- Typography in Japan by Hisashi Furukawa
Condition: Very Good. All titles are used and show shelf ware consistent with age. Light rubbing, marking, tanning to dust jacket. Light spotting to outer edges. Light tanning to outer edges of interior pages.
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